“Place We Were Made”
“You
smoke to choke the feeling
'Til
the walls don't need the ceiling
All
we talk about is leaving
All
that I know is
No
matter how far away
This
is the place we were made
I
know every streetlight
And
maybe the colors will fade
This
is the place we were made
—Maisie
Peters, “Place We Were Made”
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| Actual footage of you guys coming into my life and making it a million times more entertaining. |
I’ve been very proud of how planned out
this blog has been, but once I added “Don’t Let It Break Your Heart” to the
last post, it unleashed something in me. I’ve redone this entire last week of
posts, even adding two more songs on a whim. I’m a sentimental maniac. A feels
monster. Our time together is winding down, and I’m finding more and more words
to express how I feel.
For those of you who don’t know, Maisie
Peters is this folksy, pop-ish, sometimes country-ish artist, and her voice
kind of sounds like summertime and youth and melancholy honey. I’m very into
her stuff right now. Her tone alone is like a whole mood. And this song in
particular just resonates so strongly with what I wanted to do with this blog.
It’s like “Castle on the Hill”’s sister, but instead of the English
countryside—which isn’t totally relatable, however picturesque it is—“Place We
Were Made” sets itself in a small country town. “Put on our boots, carry our
heels / Stumbling home over a field”—it could practically be Manhattan. (Okay, to
be fair, any reference to boots and fields will make me think of Kansas.) In
the next verse, it’s lines like, “Talking 'bout boys, now we call ex” and
“Freezing cold and we don't even know” that remind me of us, all those Tinder
boys we’ve swiped through, and that ridiculous winter of 2018. (But I think we
knew we were really cold that year.) Still, there’s something about Peters’
song that feels like Manhattan. It’s the tone. The nostalgia.
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| 4-7-2020. Simon vs. is forever "Dustin's book" in my head. I know how much it means to you, and, because of that, it means something to me, too. |
I can still remember seeing the Flint
Hills for the first time, crossing over the bridge and seeing the sign that
says, “Welcome to Manhattan.” I was driving, and I looked over to my mom in the
passenger seat and said, “So this is it.” “It” meant so much and so little to
me on August 3, 2018. I knew “it” was the place I would get my Master’s degree.
“It” was the place I’d call home for a few years. “It” was the place I was
going to take a Harry Potter class. I didn’t know that “it” was where I
would go to my first bar, where I would move apartments without any help from
my parents, have to make my own (very, very minor) car repairs, learn how to drive
on ice, and meet people who would change how I think—about school, teaching,
books, and myself—forever.
I guess as soon as we got here, though,
we were thinking about leaving. Not like high schoolers do when they’re
desperate to escape their hometown, but like people who know this isn’t the end
of the journey. This is just a pit stop for us, and I knew two years would go
by fast, but it seems like only yesterday I had my first mac n cheese grilled
cheese at the Varsity food truck. I didn’t want to think about leaving. I still
don’t, honestly, but, deep down, I always knew that there was more out there
for us. I mean, have you met us? And I think that’s what gets me the
most about this song, that knowledge that some places are temporary, that
someday the colors will fade and that you might not remember every streetlight anymore—but
you get to keep the feeling of it. I sometimes wonder if ignorance really is
bliss or if knowing something won’t last makes you appreciate all the more
while you have it. (Weirdly enough, that’s kind of how I feel about mortality
and immortality. Like, do I love life so much because I know that I only have
maybe 80 years of it? Is 80 years of feeling better than an infinite
amount of lackluster complacency? [Sorry, I’ve been reading a lot of fantasy
lately.]) But, in this, case, I think having a countdown helped me. It kept me
grounded. It let me push the frustrations aside because I wanted every second
to be as good as it could be. I didn’t—still don’t—want to hold on to the pain.
I said way back in the second post that
Manhattan will always be a home to me. This city and the things I’ve
experienced here have shaped me in so many ways, and I dread the day that I’ll
leave and slowly forget the way our laughs sounded as the they echoed down the
hall or the exact shade of gray the bullpen carpet is or which direction to
turn to get to the mailroom The things that are muscle memory now won’t always
be, and that makes me a little sad, but it also makes me want to hold on even
tighter for these last few precious days.
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| 11-2-2019. I hope Nick leaves us all a fraction of his fabulousness. |
I also said way back in that second post
that people have always been more home to me than places, so when Maisie
Peters says, “This is the place we were made,” I can’t help but think that
K-State is the place our cohort was made, the place our friendship started.
There’d be no us without Manhattan. (Or, I don’t know, maybe this is a fantasy
novel, and we’ve lived a hundred other lives together in different places, some
long before Manhattan existed. Maybe we were pirates. That would be cool. Or
Lords and Ladies in a Royal court. We were definitely witches at one point.)
We’re all going to take something
different away from our time here, but we’re leaving pieces of ourselves here,
too. K-State is a part of us now, and we’re a part of it, and no matter how far
away we go, we can’t change that. Which is kind of nice, isn’t it? I wouldn’t
want to change it, anyway.
Love ∞,
Me







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